Residuals FAQ

No, background actors do not receive them—unless they are upgraded to principal performers.

No. Initial compensation covers a project’s preliminary release for the market in which it was produced. Residuals are due only for re-use of a production (except for the rare re-release into the theatres).

Heirs should contact the Residuals Estates Department either by email to residuals@sag.org or by telephone at (323) 549-6557. Your heirs should also contact the SAG Pension and Health office through www.sagph.org for information concerning other possible benefits.

You can mail the SAG Residuals Department at 5757 Wilshire Boulevard, 7th Floor, Los Angeles, CA 90036. Performers may also submit their update request in writing by fax at (323) 549-6550. A signature is required in each case. If you are a member, you can also check out our handy online address change form in the members-only section of www.sag.org. Please note – you must specifically request changes to loan-out company information. Loan-out company records ARE NOT AUTOMATICALLY UPDATED when a performer record is updated.

Between 1.5 million and 1.6 million paper checks are processed each year by the Guild’s Residuals Department.

There is no set answer. Payment depends on license agreements, the project’s commercial viability and when and how often the product airs. However, as long as the product is generating revenue for the producer, the performer is entitled to residuals (based on contract year and under which type the project was produced).

Please see the Foreign Royalties section of the website for more information.

Residuals are compensation paid to performers for use of a motion picture or television program after its initial use. For TV work, residuals begin once a show starts re-airing or is released to video/DVD, pay television, broadcast TV or basic cable. For film work, residuals begin once the movie appears on video/DVD, basic cable and free or pay television.

Residuals are based on formulas that take into account such things as the contract in place during the specific year, time spent on the production, the production type and the market where the product appears (TV, video/DVD, pay television, basic cable).

Keep your address and contact information current at all times – including contact information for loan-out companies.

First, make sure the Guild has your correct contact information. If so, then email the residuals department at residuals@sag.org or phone us at (800) 205-7716. Please provide your name, member number, project title and a brief description of the problem. You will be contacted promptly as to the actions being taken on your behalf and periodically updated as to the status, if necessary.

Here’s a quick guide:

Made-for-Television then released to:

• Network Prime Time - 30 days after air date
• Non-Prime Time - 30 days after air date
• Syndication - 4 months after air date
• Foreign Free TV - No later than 30 days after producer obtains knowledge of the first foreign telecast and never later than six months after that first telecast.
• Basic Cable - Quarterly

Made-for-Theatrical then released to:

• Network Prime Time - 30 days after initial broadcast, then quarterly
• Free TV, Non-Network - 4 months after initial broadcast, then quarterly
• Supplemental Markets - 4 months after initial exhibition, then quarterly

All performers hired under or upgraded to a principal performer agreement whose performance remains in the final product. This includes performers, professional singers, stunt performers, stunt coordinators, pilots, dancers employed under Schedule J and puppeteers.

Yes. All residuals will continue to flow to designated heirs as long as the TV or movie product continues to generate revenue for the producer. Remember, it’s an heir’s responsibility to keep his/her mailing address up to date with SAG. Heirs can also visit the unclaimed residuals section of the website at www.sag.org.